Dr. Dan Margolies  ø  Batten Associate Professor of History, Virginia Wesleyan College

Email: dmargolies@vwc.edu    ø    phone: 757.455.5716    ø    Office: Blocker 31

              ----------------------------------------------------------------------------------------

 

Street musicians, Guanajuato, Mexico, Chicago: The Globe Stereograph Co., c1906; Library of Congress Prints and Photographs Division, LC-USZ62-104249

 

Research Interests, briefly stated

I am most interested in globalization and American empire.  My research focuses on United States foreign relations, especially in the late nineteenth and early twentieth centuries.  I also study the regional impacts of globalization, particularly in the South.  

I have two new projects dealing with globalization, although they approach it in radically different ways.   One deals with issues of territoriality and extraterritoriality in U.S. foreign relations, and the other examines contemporary Mexican migrant music making in the South.  I describe each in greater detail below.

I am currently writing a book about extraterritoriality and the manipulation of jurisdiction in the formation of American empire for the University of Georgia Press.  I am also in the process of editing a forthcoming Blackwell Companion to Harry S. Truman.

My first book titled Henry Watterson and the New South:  The Politics of Empire, Free Trade, and Globalization  was published by the University Press of Kentucky in Fall, 2006. 

    

This book explores the ways the great Louisville Courier-Journal editor Henry Watterson sought to use empire and globalization as a development program for the South. 

Watterson viewed an imperial foreign policy and free trade as the key to southern prosperity.  He argued that globalization in the form of free trade in an ever-expanding American empire promised to usher in the final resolution of sectional inequality and economic instability.  These opportunities offered answers to the sovereignty, development, and racial questions that had persisted in the South since Reconstruction, and to the crisis of social disorder and overproduction that developed nationally during the depression of the 1890s.

Watterson was one of the strongest advocates of the idea that empire and free trade could neatly solve the problems of both the South and the nation.  "We shall go on in religion preaching the Gospel of Christ, and Him crucified, and in politics, the doctrines of Honest Money, Home Rule and Free Trade," he wrote in 1897, in a characteristic statement of his view.   

About my current projects on empire and globalization in American history

I. Territoriality, Extraterritoriality, and Globalization in American Foreign Relations

I am interested in the politics of empire in United States history and especially in the legal fictions and constitutional justifications Americans adopted over time to govern and maintain their imperial system.  I am studying the role of the Constitution in American expansionism and the relationship between foreign relations law, systems of distributed power and jurisdiction, and empire.  

My research demonstrates how, at the onset of empire, the United States discovered that the Constitution was naturally limited in its jurisdictional application but that power was not limited in the realm of foreign affairs.  The central focus of my project is the transformation of individual rights and business interests in the formation of empire as reflected in the extraterritorial claims made in American foreign policy formation from 1850-1945.  Among other topics, I am studying extraterritorial anti-trust, extraterritorial crime, extraterritorial abduction, and extradition

Extraterritoriality is the unilateral expansion of United States jurisdiction beyond national territorial boundaries.  It is one of the most misunderstood, unusual, and fascinating topics in the history of American foreign relations. 

In this project I am tracing the role of extraterritoriality in globalization from the guano trade of the antebellum period through the extraterritorial Supreme Court cases of the mid-twentieth century.  In a series of historical case studies spanning more than a century, I am exploring how American objectives were pursued through a global system in which authority and power were distributed and decentralized in novel ways.  

Studying extraterritoriality opens a window into the operation and structure of American empire.  In significant ways, territorial limits to jurisdiction did not prevent constitutional innovations in imperial governance; it may even have invited them. 

Divided jurisdictions enshrined a core belief in the utility of distributed and competitive authority coupled with promotion of economic interests. The balancing of territoriality and extraterritoriality cleared a space in the law for unilateral, interventionist, and imperialist action abroad.

I have presented papers on this topic at the Society for Historians of American Foreign Relations Annual Meeting in 2006 and 2007, at the Organization of American Historians conference in 2007 and at the American Studies Association of Korea conference in Songnisan, South Korea in 2007.  I am currently writing a book on this topic for the University of Georgia Press which will be completed on my upcoming sabbatical.

 

II. Latinization and Mexican Regional Music in the South

 (photo: Margolies)

Tienda y Taqueria El Rosario and Southern Gun, Inc.,

Collinsville, Virginia, July 2008

I am also working on a survey of the Latinization of the South by exploring one critical and untapped aspect of this transformation:  the music and cultural geography of the new Latino (principally Mexican) immigration to the South. 

The southeast has experienced a massive influx of immigrants (one of the largest in the country) which is unprecedented in Southern history.   The diverse, growing, and vital immigrant Mexican population is transforming the existing, living Southern folk culture by introducing new music and visual cultures to areas already rich with long established cultural traditions.  

I am investigating the varieties and cultural context of different styles of Mexican regional music being transplanted to the southeast and to the southern Appalachians, the areas that have long been the seedbed of traditional Southern music. 

This aspect of folklife and history is little studied even as it grows in significance as the South becomes a new borderland of globalization.  While borderlands culture has long been a topic of interest in cultural histories of the southwest, this analytical frame has not been utilized in the southeast.  This project is interesting and important for a wide variety of reasons, not least of which is its timeliness given the new transformations in the region, and the ways it cuts across disciplines.  And, the music is great.

(photo Margolies)

Mexicali Truck, Asheville, North Carolina, July 2008

I have been fascinated by the resilience of traditional music in the new migrant populations and by the hybrid musics being produced in the region. 

I am also studying specific folk cultural activities associated with the migrant music, such as dancing, music festivals, and the rodeo. 

I have presented my research in Mexican music in the South at the Southwest Texas Popular Culture Association conference, at the Appalachian Studies Association conference in spring 2007 and spring 2009 and additional research and new recordings at the American Studies Institute "U.S. Immigration in the Global Context" conference at Seoul National University in Fall, 2007.  I was invited to present my photographs at the singular Uncanny America symposium at Buffalo State College in October, 2008.

I recently published two articles on migrant music:

"Latino Migrant Music and Identity in the Borderlands of the New South," Journal of American Culture 32:2 (June, 2009): 114-125.

  Que Voy a Regresar: Migrant Music and Globalization in the Nuevo South” in American Studies 31:1 (May, 2008): 1-24.   

(Photo: Margolies)

El Nuevo Atlacatl, Swannanoa, North Carolina, July, 2008

(photos: Margolies)

Panderia, Taqueria, Carniceria, Haw River, North Carolina, June 2007 

 

 (photo: Margolies) 

Los Tigres del Norte playing to thousands at the Gran Jaripeo in Manassas, Virginia, June 2007

 (photo: Margolies)

Aloe leaves for sale at La Estrella Latina, Roanoke, Virginia, July, 2008

Future Projects:

When these various studies are complete, I am going to return to a longstanding project of mine which examines the establishment of civil aviation routes in the Pacific after World War II.    

 

Other Projects & My Film

In addition to my academic research, I enjoy working on topics in old time, country, and bluegrass music.  Along with the study of history, the great passions in my life are old time Southern banjo and fiddle music.  I play clawhammer banjo and old time fiddle.  I particularly like the fiddling of the Cumberland Plateau and Eastern Kentucky, and the banjo style of southwestern Virginia. In the summer I frequent old time fiddlers conventions throughout the South as much as possible. 

I  am extremely interested in the music of the Texas-Mexico borderlands: Norteño y Conjunto.  I have begun studying Conjunto button accordion and bajo sexto in the traditional style. 

For related information on the web, see my page of Old Time Music, Bluegrass, Blues, Cajun, Mexican-American Music  links.

My wife Skye Ochsner Margolies and I are currently completing a documentary we filmed about bluegrass, gospel, and country music in Tidewater Virginia centering on the musicians at Wayne's Body Shop in Portsmouth.  The webpage for our film, "Saturday Night at Wayne's," is here

We filmed at Wayne’s from 2002-2008.  Now that we have finished filming, we are editing the film.  We hope to have it ready for submission to festivals soon.   

Here are a few of my publications that are available online.

 

 

Back to Dr. Margolies' homepage